The Wyrd Sisters Bring Death to Leviathan
…the Wyrd Sisters are a nefarious and multiplicitous being — like capital but also like the collective form of subjectivity that Fisher explicitly calls for in his Capitalist Realism — and they are able to see, we might presume, multiple futures. They share a subjectivity between them, collectively choosing a path ahead for those they encounter and, in their conniving and mischievous ways, shaping the future for their own ends, notably against the apparatuses of the State.
A transcript of a talk posted on Diffractions Collective in 2018
‘Acid’ is desire, as corrosive and denaturalising multiplicity…
Published in Krisis: Journal for Contemporary Philosophy in 2018
Point of View: On Photography & Our Fragmented, Transcendental Selves
What does it say about photography’s beginnings that one of the first self-portraits depicts a staged suicide?
Published in ŠUM#9: Exit or Die in 2018 by ŠUM — Journal for Contemporary Art Criticism and Theory, Ljubljana. (pp. 1121-1135)
Experiments in the Summoning of an AxSys Demon (Part 0)
Run script… Check for pulse… Out of the corner of my eye the rectangular screen of my laptop suffers strange non-Euclidean distortions.
Published on Vast Abrupt in 2018
Reaching Beyond to the Other: On Communal Outside-Worship
Whatever horrifying and unthinkable form the Outside may take, the fact remains that it is seemingly through community alone that its affects can be harnessed…
Published on Vast Abrupt in 2018
This “community” is not something worked towards and achieved but rather something experienced in itself, outside of regulation […] It does not exist for the sake of networking or profit or climbing the ladder of industry — the pursuits of the individual — but as a way of being that requires a collective subject in order to sustain itself.
Published in Epilogue in 2017 by University of South Wales, Cardiff. (Not paginated)
Introduction to “Flatline Constructs”
Rather than becoming immediately facetious, can Mark [Fisher]’s real death recalibrate the stakes of his conceptual deaths? Can death in this mode be collectively thought in a way that prepares us for — and helps us to move beyond — our present reality, not only of personal grief but of capitalist apocalypticism?
Published in The Fisher-Function in 2017 by Goldsmiths, University of London. (pp. 119-120)
The individual experiences of these exhibiting students are usually overlooked in favour of placing the show itself within a much broader context. With Leaving the Building, such experiences — both positive and negative — are often hinted at, sometimes openly discussed. It would be detrimental to all to suggest such explorations were merely navel-gazing. The works contribute to a wider empiricism; a collective knowledge of how we all interact with and process the world around us.
Published in Leaving the Building in 2014 by University of South Wales, Cardiff. (pp. 151-153)
