Essays, Interviews & Translations
2021
- Forthcoming: Artificial Dementia [Chimeras: Inventory of Synthetic Cognition]
- Interview with Matt Colquhoun [Samuel Joel Atkinson]
- Prólogo al Tercer Volumen de K-Punk [Caja Negra Editoria]
- The Geology of Malls: Architectural Dreamwork as Capitalist Cauterisation [Plaza Protocol]
- An Introduction to Eerie Aesthetics [Repeater Radio]
- Excerpt from “No More Miserable Monday Mornings” [Tank Magazine]
- 一个无条件加速主义Primer [Free Form Suite; trans. GeWenxin Yu]
2020
- “There is a world to be transformed” (Interview) [Terrabayt]
- Looking for an Exit: Sonic Coordinates for Egress [Grace’s, Blue Mountain School]
- Unveiling the Collective in Isolation: Thinking the Apocalypse with D.H. Lawrence [Stillpoint Magazine]
- El Realismo Capitalista de “El Realismo Capitalista ha Llegado a su Fin” [Caja Negra Editoria, trans. Matheus Calderón]
- Matt Colquhoun Interview [Music Journalism Insider]
- Music Has The Right To Children: Reframing Mark Fisher’s Hauntology [The Quietus]
- The Will to Deform: The Promethean Gift of Proletarian Prosthetics [Insufficient Armour, NERO Editions]
- Les débordements adolescents du True Norwegian Black Metal [Audimat, trans. Fanny Quément]
2019
- When Things Take Time [Speculative Ecologies: Plotting Through the Mesh, Litteraria Pragensia]
- The Primal Wound: An Anti-Oedipal Consideration [Lapsus Lima]
- Anomalous Worlds: On Accelerationism & Patchwork [Diffractions Collective]
2018
- The Wyrd Sisters Bring Death to Leviathan [Diffractions Collective]
- Comunismo Ácido [Lavra Palavra, trans. Renan Porto]
- Acid Communism [Marx from the Margins, Krisis: Journal of Contemporary Philosophy]
- Points of View [Exit or Die, ŠUM: Journal for Contemporary Art Criticism and Theory]
- Experiments in the Summoning of an AxSys Demon (Part 0) [Vast Abrupt]
- Reaching Beyond to the Other [Vast Abrupt]
2017
- Community Remains [Epilogue, University of South Wales]
- Introduction to Flatline Constructs [The Fisher-Function, Goldsmiths, University of London]
2014
- Songs in the Dark [Leaving the Building, University of South Wales]