Hello! Happy new year. It feels like ages since one of these. I didn’t bother doing one for January 1st because 1) I was quite hungover, and 2) I’d just done a “Year in Review” post a day or two before, so it seemed like overkill.
January has been very long and very busy, with a lot happening in such a short space of time. Of course, all of this was preceded by an intense dejection and writer’s block…
Slug
I started 2022 sick and burnt out, with one week off work and another week spent just trying to recover and fix my sleeping pattern. I had some hefty deadlines to meet, made worse by ill health, and I couldn’t see beyond them after a while. So I wrote a pretty melancholic post about the state of all things.
— 2022 Slug [11/01/2022]
Five Years
This wasn’t helped by the fifth anniversary of Mark Fisher’s death, which always ends up being a difficult period for those who gathered together in the immediate aftermath. I didn’t feel like I had anything to say, as five years feels like a very long time and what more is there to add?
— Five Years [13/01/2022]
But Fisher’s persistence in our thoughts all the same shows how nothing has really been for same for a lot of us.
Because of this, there will always be something left to say, if only because of what Mark did. The real horror of suicide is how open the wound sits, never really being fully sutured. The hole he left is still there, pulsating and never really losing its intensity. I wrote Egress as a way to try and acknowledge it, think with it, and maybe do something with it rather than just stare at it, at the same time acknowledging the ruffled and unfinished nature of the attempt, questioning the infinite questioning… No surprises it didn’t bring the closure I thought was promised.
But there’s something about that worth holding onto. The worst thing you can do is try and make sense of it in some ways. It’s not really about what Mark would or wouldn’t have wanted, and more about just staying true to the errant trajectory his life took. Explaining it all away with his depression, though people inexplicably seem to think that’s the right thing to do — despite all he said about not individualising depression (and saying “capitalism killed Mark Fisher” is just another way of doing that, even if you think the onus is on the system) — is to trap him in what he himself believed was “a fate worse than death.”
— Disintensification-by-Canonisation: Thoughts on the Fisher-Function [20/01/2022]
But that’s a really difficulty thing to do. Perhaps the most difficult. Affirming it; affirming the fact his life and work can’t be neatly tied up with a bow, not like how it might have been, at least psychologically, if he’d died of natural causes.
A lot of us have been working through that at our own pace, taking multiple runs at it, thinking it through. There is a tendency for people to take strange pot shots at each other in the process — for lionizing him, making him a hero, a prophet, producing “hagiographies”. But everyone is nonetheless working through the same thing. Robin Mackay finally finished his attempt at working-through, By The North Sea, which we broadcast online as part of For k-punk 2022.
— For K-Punk 2022: Robin Mackay’s By The North Sea [21/01/2022]
— For K-Punk 2022 // By The North Sea [28/01/2022]
The originally planned event will hopefully to be restaged later in the year in person when the Covid situation makes things easy to plan in advance. (Omicron made things completely impossible in late 2021, with no one feeling able to commit to anything, except the venues desperate for something to happen in them.)
There are a bunch of other things planned for later in the year as well — not least our new Buddies Without Organs project, The K-Files, produced in collaboration with the new Zer0 Books team.
— The K-Files Teaser Trailer [15/01/2022]
You can find the first episode over at buddieswithout.org.
Alongside The K-Files, we’ve also started our new reading group into the essay that (I think) foreshadow his “acid communist” “turn” — which I don’t think was much of a turn at all. In fact, I think there’s a long continuity between what Fisher was exploring towards the end and what he was interested in back in his Ccru days. That he was a little more sympathetic towards the hippies is a bit of a red herring, considering he’d long been interested in a kind of revolutionary feminism, Burroughs and Ballard, and Spinozism — all of which are very much still present in the texts that foreshadow Acid Communism.
— XG Reading Group 4.0: Postcapitalist Desire [19/01/2022]
Part of the reason for exploring this is also to try and workshop a new edited collection of essays — the lesser-known stuff that I think is among the most importance but which has never garnered much attention from people. There are a lot of questions to ask about such a project — whether it’s needed, how to approach it, how to describe and made explicit that through-line to other people — all of which I’d like to explore collectively and tease out.
I can report that, after having through a great deal about the path our reading should take, I did gathered a lot of the essential texts together already, and I sent a bunch of them to Tariq Goddard at Repeater Books. Though initially very skeptical that another edited volume was needed, and very reticent about the cynical perception we all just want to capitalize rather than give people the best and most fully formed representation of Mark’s diverse and radical thought, he has agreed that this material is worth getting excited about. So this will be a book. But we’re going to take it slow, with a projected timeline of 18 months to work on the manuscript — a very generous amount of time to work on something like this. But it’s necessary.
The more work done, the more sensitively it has to be undertaken, I think. But a lot of what has been discussed this month has gone towards shaping it already, particularly the point on “disintensification”. This will be a project that seeks to re-intensify rather than settle all that has been left unfinished. And I’m excited about that prospect.
On a final note, I had one more post of Fisher’s work, in light of recent activity at Mattel Studios. Now is a good time to revisit that strange PhD thesis of his:
— It’s Mattel’s Hyperreality, We Just Live in It [31/012022]
Too Much Politics
I still think about “Brenda from Bristol” a lot, who was famously exasperated by the amount of politics happening in 2017. It doesn’t feel like things have let up much… This month, in particular, has been a furious 31 days of political events and scandals. And I’ve written about next-to-none of it. Here are the few responses to things that did emerge…
— Vile Venerations, Past and Present: Thoughts on Blair and Colston [07/01/2022]
— Everyday Authoritarianism [12/01/2022]
— Oedipal Israel: Notes on Oedipus Beyond Psychoanalysis [22/01/2022]
NFTs… Again…
Thanks to Wassim for mentioning the latest edition of Spike Art has loads of Web3 stuff in, including a brilliant essay he wrote recently. It’s a really interesting issue that sees a lot of people working or interested in that space reflecting on the recent flurry of activity and dreaded popular “discourse”. I wrote something else myself, reflecting on the apparent anti-communitarian ethos of it all, which seems to run counter to initial hopes and ideals.
— NFTs and Open Access: Power in the Age of Digital Individualism [24/01/2022]
Though this essay proved really popular, it was a bit disappointing to see how promiscuously it was applied. I had co-signs from a lot of people into Web3 who I respected, and a lot of people with awful NFT Twitter avatars who seemed not to recognize that they were the people I was disparaging. But I might write a little addendum on that soon…
Anarchic Monarchy
I wanted Spencer over Christmas and wrote about it. A very different sort of Princess Diana biopic, it turned out to be one of the most interesting psychological horror films I think I’ve seen in a long time.
— Spencer [03/01/2022]
Acid Reflux
At the end of last year, I was invited to write and record a short essay for the launch of Márk Fridvalszki and Zsolt Miklósvölgyi’s Acid zine, held at Trafó House of Contemporary Art in Budapest. They’ve since taken the zine on tour, at the essay-reading I recorded has traveled with them, now appearing at Kunstraum Lakeside in Klagenfurt, Austria.
— A World Without Any Future?: XG at Kunstraum Lakeside [31/01/2022]
Photography
— New Year’s Day [02/01/2022]
— Winscar [05/01/2022]
— Haworth [09/01/2022]
— The Royal George [16/01/2022]
— Top Withens [23/01/2022]

