I’ll be taking part in this event, hosted by the Centre for Latin American and Caribbean Studies (CLACS), on 25th May 2022. You can read more about the event below. Head over to their website for full information and to book a ticket.
25 May 2022, 5.00pm – 6.30pm
Institute of Modern Languages Research
Organised by the Centre for Latin American and Caribbean Studies (CLACS)
Matt Colquhoun, author and photographer
Alejandro Galliano, author and lecturer
Brigid Lynch (CLACS Visiting Fellow)
Mauro Greco (CONICET Argentina)
Ariadna Álvarez Gavela (Complutense University of Madrid)
This round table discussion explores the recent translation into Spanish of the writing of the late Mark Fisher, a British writer, cultural theorist and lecturer in Visual Cultures at Goldsmiths College. In 2016 the Buenos Aires independent publisher Caja Negra published the first Spanish-language edition of Fisher’s seminal 2009 work Capitalist Realism: Is There No Alternative? to widespread acclaim in both Spain and Latin America. Realismo Capitalista – ¿No hay alternativa? placed Fisher’s work at the centre of urgent and ongoing debates about the potential of progressive politics and culture to enact real change in the era of late capitalism. Further translations of Fisher’s work followed, with Los fantasmas de mi vida in 2017, and K-Punk Volumen 1, 2 and 3, a three-volume edition of Fisher’s work in his K-Punk blog (in 2019, 2020, 2021 respectively).
Writer Matt Colquhoun uses the term ‘the Fisher-Function’, to describe the emancipatory potential of Fisher’s work in its capacity to engender a ‘shared sense of experience and communal constellation’. Alejandro Galliano has written on the relevance of Fisher’s thought to critical moments from the recent past in Argentina, from the decade of transition to democracy to the economic crisis of 2001. In a conversation with Colquhoun and Galliano, this event will address how the translation of Fisher’s writing into Spanish expands and enhances its potential for community. What are the new forms of knowledge and praxis that these translations generate, and how can they inform and enrich existing dialogues around Fisher’s legacy and the future potential of his work in both the UK and Argentina?
Alejandro Galliano is a writer, and he teaches at the University of Buenos Aires. He is a regular contributor of cultural criticism and political analysis to the magazines Crisis, Playboy and Nueva Sociedad. His most recent book is ¿Por qué el capitalismo puede soñar y nosotros no? (Siglo XXI Press, 2020). On twitter, he is @bauerbrun
Matt Colquhoun is a writer and photographer from Hull, UK. He is the author of Egress: On Mourning, Melancholy and Mark Fisher and the editor of Mark Fisher’s Postcapitalist Desire: The Final Lectures. He blogs at xenogothic.com and can be found on twitter as @xenogothic