The Slow Cancellation of…
Sorry, What Were We Talking About?:
Some Concessions and Further Notes

Thanks to Matheus Calderon, who sent over the text for Noys’ lecture. Below is a more in-depth commentary on Noys’ talk, made up of a few concessions, notes and further confusion following my previous post.

With that previous post in mind, let’s turn to what Noys actually had to say. You can watch the talk back below.

In my previous post, I was mostly confused by Noys’ appeals to the present. This is clarified very early on. Drawing on various texts from queer theory, afrofuturism/afropessimism, and accelerationism, Noys writes:

In all cases, there are complex articulations of past, present, and future that could be discovered in these texts and in these contrasting lines of thought. They are also, obviously, turning to the future and the past to address the present. This complexity does not, I argue, invalidate the point that the orientation to past and future risks abandoning the present. The splitting between a past primal wounding that provides a negative rupture and a utopian future that sends its ‘tendrils’ into a destitute present, leave us living in the worst of all possible worlds… In these orientations, however, this absent present is addressed as a moment of stagnation, degeneration or decadence, what Badiou calls an ‘atonal world’ that lacks points of decision.

But this still ignores Alex Williams’ founding accelerationist argument where he explicitly affirms these same Badiouian points of decision, calling on us to address them.

I can nevertheless see what Noys is trying to do. He is attempting to intervene in a kind of Parmenidean paradox. To say things need to start moving suggests an impossible moment of prior stasis. Noys seems to be arguing that, in presenting the present as static, we trap ourselves in an impossible perspective that is fatally limited to the first-person. The point should be to get beyond the privileged positions we give ourselves as individuals — what Noys nicely conflates with “the bourgeois viewpoint” — which observes the world in its flux only in relation to our own stasis. For Parmenides’ partner Zeno, in particular, the opposite was also true: we cannot say the world is still, only because we ourselves are moving at speed. Either everything is moving or nothing is, and nothing, as a kind of radical stillness, is an impossibility. Instead, we should look to the bigger picture of what is happening around us.

This is how I am understanding Noys when he writes:

If we currently exist in a present emptiness, one half of the bourgeois viewpoint, the alternative offered is an original, or future, fullness. While these theoretical currents claim to transcend the antinomies of bourgeois thought, we may also be suspicious of such self-characterisations. Certainly, the antinomy between original fullness and present standstill does seem to remain resonant, even if these terms are reworked by the currents I have sketched.

But wasn’t this Lyotard’s point regarding the impossibility of an outside, later taken up by the accelerationists?

Putting Lyotard to one side, our references to the pre-Socratics are intentional here, since Noys mentions them repeatedly, albeit only in passing, noting Heidegger and Nietzsche’s turns to antiquity, which they acknowledge as that founding moment in philosophy. There we find a familiar discussion regarding the generative capacities of finitude and infinitude, which has particular bearing on how we are able to categorise difference, change, and the new.

I don’t want to expand on this history too much here, as I’m planning to write on this in far more detail for my upcoming talk at Ctrl Network. I’ll no doubt have to work some of Noys’ points into that lecture between now and then. For now, suffice it to say that what we find in the pre-Socratics are those first attempts to rigorously stamp out the obscurantism of Heraclitean riddles. For Heraclitus, the apparent truism that we cannot step into the same river twice is not just a philosophy of nature but a way of problematising epistemology as such. For him, all language is poetry, the meaning of which can change in every instance we encounter it. But this is only true from the limited perspective of the individual, so argued Parmenides and Zeno. Collectively, we can speak of things that are true for all of us. Indeed, that must be where we turn our attention. (Mathematics takes the cake here, and continues to.)

When Plato later banishes poets from the republic, in the name of his theory of forms, he does so to service this kind of truth. Poets are still great thinkers, and contribute much to culture and society, but he insists that we must be able to decide on the proper names for things — as Ideas or Forms — before we can begin to play with them. Otherwise, how would we have language? We need shared understanding. Without it, how would we be able to converse with one another? (This is of central importance to Plato. Conversation is the primary form that his dialectical philosophy takes, after all.) In the end, we can say there is difference, and naming difference is how we give form to the new, and even new ideas. It is the goal of philosophy to set that process to work and maintain its motion.

It is downstream from here, from this Platonic river of forms, that we find the great ocean of philosophy. The tension here is never quite resolved. Aristotle makes an attempt, and reigns supreme for centuries, but Plato soon returns to the fore, both positively and negatively. The battle over his contemporary relevance no doubt falls to that central dialectic of the mid-2000s blogosphere, between the anti-Platonism of Deleuze and and the Cantorian Platonism of Badiou.

Even prior to that moment, we might turn to Alfred North Whitehead, who was famous for having said that “the European philosophical tradition … consists of a series of footnotes to Plato.” But this was not to diminish the thousands of years of thought to have followed since Plato’s own, as if it is all derivative in a pejorative sense. It is instead to understand philosophy – and, indeed, thought itself – in a Platonic manner. Whitehead’s comment is, in this sense, reflexive: the form of Plato’s ideas – nothing less than a theory of ideas themselves – provided a structure from which all ideas since could emerge. He provides us with an Idea of philosophy, against which we can judge all other variants. We find ourselves connected across millennia. Plato sought truth and so do we. And yet, a fundamental tension remains.

If there is such a thing as truth – and we know that there is: two plus two will always equal four, for example – then how do we account for all that has changed in the meantime? If truths don’t change, how do we keep inventing new ones? Are we even “inventing” the new if truths are things that have always been true, but were previously unknown? If we “discover” the new, is it still really new? Or only new to us? This tension defines twentieth century philosophy, and underlies some of its central texts: Being and Time, Process and Reality, Difference and Repetition, Being and Event. (There are other examples still, albeit not of the same canonical stature, but Yuk Hui’s Recursivity and Contingency is another that comes to mind.)

Suddenly, our understanding of the new no longer seems so linear… Indeed, not even Plato can be held up as a central origin; his theory of forms was not wholly original in itself. Philosophical positions very similar to his were already circulating in other parts of the world at this time. Confucius, for instance – whose thought predates Plato’s by about a century – developed his own theory of forms. His “reification of names”, as it was called, is worth noting because it perhaps clarifies why Plato’s theory is so important to his Republic that he would ban all poets from the city in its name. Contrary to first impressions, Plato is not a joyless authoritarian but rather seeks to build a utopia based on the true order of things. He hopes to live, first and foremost, in accordance with nature and natural law – an attractive proposition, since to do so would negate all the pretensions of ideology. Similarly, Confucius suggests that all social disorder can be traced back to an inability to give things their proper names. The theory of forms, then, takes on a social dimension – to name each thing in its proper place, not just Plato’s tables but emotions and experiences as well, is to be able to articulate one’s self in accordance with nature. “When names are not rectified, what is said will not seem reasonable”, Confucius writes. “When what is said does not seem reasonable, nothing will get accomplished.”

The political dimension of the new now comes to the fore, and it is this sentiment that is explored consistently throughout the entirety of recorded history — not history understood as a linear progression but as a problematic always re-problematised in the present in which we encounter it.

It is from here we uncover the tension between idealism and materialism that Noys points to when he argues tangentially against a certain form of capitalist realism, which collapses capitalist ideology onto a Platonic understanding of the universe. This is to say that capitalism establishes itself as eternal, as always having been here, and it has now finally won out over the twentieth century’s alternatives. “The end of history”, though a point of critique for Fukuyama, is then picked up and affirmed by conservatives who herald their own victory. Truth has won out and its name is capitalism. For many, it is no doubt very easy to believe them, as they appeal to various habits of human relations — exchange, trading, etc. — that have always been with us and which, for them, constitute the seeds of our true capitalist nature. That is, until we put in the work to actually track capitalism’s development. Suddenly we see how forms and names can be manipulated. So we look for the origins of language — structuralism — before acknowledging that, yes, language does not lie inert and unchanging. It does change in every instance we encounter it — post-structuralism — but all the more reason to make note of those encounters and the differences between him, in the present. (Shout out Althusser.) So Noys writes:

These statements do not say all we have is the present, but rather we must account for this present through historical reconstruction, hence the Phenomenology of Spirit or Capital, while tracing the possibilities of the present as potentials to realise a future of self-determination and freedom. In each of these iterations of the phrase it is implied that we have to grasp the present conditions as the site of overcoming. My point, therefore, is a simple one: contemporary radical theoretical forms have embraced the future or the deep ontological past in a flight from the present. Images of stagnation and inertia remain to characterise the present of high capitalism in accents that are more Nietzschean than anything else.

From here Noys goes on to challenge this history, attacking the forgetting of Being in Heidegger. “Western metaphysics begins, with Socrates and Plato, to forget Being and Being leads a fugitive role in the history of that metaphysics”, Noys writes, summarising Heidegger’s position. “We need to return to before the rift, to the moment of the pre-Socratics,” Heidegger argues, if we are “to find a thinking of Being qua Being.”

As mentioned last time, this is where we can turn instead to the importance of Whitehead, and of Steven Shaviro’s speculative injunction in the philosophy of the late 2000s (as well as his particular brand of accelerationism, which I find to be wholly commensurate with much of what is called “unconditional accelerationism” — or, as Shaviro might describe it, “accelerationism without criteria”.) “What if Whitehead, instead of Heidegger, had set the agenda for postmodern thought?”, he asks. The question of beginnings is once again central. Shaviro continues:

Where does one start in philosophy? Heidegger asks the question of Being: “Why is there something, rather than nothing?” But Whitehead is splendidly indifferent to this question. He asks, instead: “How is it that there is always something new?” Whitehead doesn’t see any point in returning to our ultimate beginnings. He is interested in creation rather than rectification, Becoming rather than Being, the New rather than the immemorially old.

Oddly, Noys does not follow this trajectory, which feels characteristically accelerationist to me, in being contrary to capitalism’s insistent that it is immemorially old. Indeed, there is plenty out there that explores and further clarifies Noys’ own position. Instead, he seems to be on the lookout for enemies. He turns to Nietzsche’s “philosophy for the future”, which is “scathing towards the ‘frivolous deification of the present’, and dismissive of ‘the barbaric turmoil known as “the present”‘.”

The non-linear development of thought presents itself again. Though it feels more natural to suggest Nietzsche’s futurism inverts Heidegger’s history, the opposite is true. But then what was Nietzsche reacting to? Isn’t Heidegger following that Enlightenment tendency, from Rousseau through to Freud and all the rest of it, of finding our primal scene? Nietzsche certainly emerges from this context as an anti-Enlightenment figure, in the way that he attempts to prefigure, as Noys puts it, “a past of hierarchical authority that throws a bridge to a future authoritarian rebirth of rank.” But both are accelerationists, apparently, in their own ways. Together they give form to the double-articulation that accelerationism, in Noys’ view, hopes to affirm: Nietzsche cloaks the left hand of a dark future whilst Heidegger shrouds the right in the truth of philosophy’s deep past, before it alienated itself from its true object.

Soon enough, Heidegger falls away, his role left unresolved. Noys instead warns against any form of left-Nietzscheanism that may seem tangentially resonant with much of Marxism. We must not confuse the two, he insists, even though Nietzsche’s elitism may seem to resonate with the vanguardism of Marxist-Leninism.

This is a fair observation, but from here I am lost. Noys turns to Mark Fisher, rather than the more obvious choice, Nick Land, to explore the fallacies of such a thinking. He makes Fisher out to be the central left-Nietzschean of our age. This is a reading immediately complicated by any consideration of Fisher’s far more prominent Spinozism (not to mention Nietzsche’s anti-Spinozism), but let us take Noys at his word here. In reference to Fisher’s critique of “the slow cancellation of the future” that he began his talk with, Noys writes:

The cultural diagnosis of Mark Fisher we cited, for example, is explicitly Nietzschean, and Fisher identifies with Nietzsche’s aristocratic critique of culture. While Fisher identifies capitalism as Nietzschean ‘slave morality’: resentful, levelling, opposed to innovation, identifying the working class with experimentation, the structure of aristocratic critique remains. The present remains a stagnant present. While this Nietzschean critique is often given a radical accent, or presented as a radical gesture, or even ‘the most radical gesture’, it comes at the cost of fundamentally losing the basis of a critical radicalism.

It is here that my inchoate critique reemerges.

What is this “critical radicalism” that Fisher was losing sight of? It was a “critical radicalism” that manifest itself as a “reflexive impotence”, recently discussed here. In previously citing Natasha Lennard’s article for Salon, I mentioned how what was being rejected at that time was the looming “celebrity vanguard” that many on the left feared the likes of Russell Brand and Owen Jones represented. This was a left whose “critical radicalism” amounted to nothing more than an impotent horizontalism; a radicalism that didn’t so much critique its pop-cultural figureheads as denounce any cultural representation whatsoever. It was a leftism that kept making appeals to an illusory outsideness, arguing that what we needed was a form of cultural representation that wasn’t produced under capitalism. Fisher’s point was that familiar Lyotardian one: there is no outside, the only way out is through.

Though he may reference Lyotard and Nietzsche in his critiques, this thought has next to no relation to the hysterical accelerationism Noys once took aim at in The Persistence of the Negative. This is Fisher’s “popular modernism”, which decries the impotence of a “critical radicalism” that no longer sees any role for popular culture in the creation of certain structures of feeling. It is an argument that has since been vindicated. When the left eventually dropped this pretension to an impossible purity, it discovered a resurgence of its ideas in the political imagination. In 2015 Jeremy Corbyn broke through, with the grassroots movement surrounding him making active use of capitalism’s cultural dynamics, producing memes and conflating Corbyn with designer fashion as part of an irreverent merchandising campaign — a clear example of what Fisher called “designer communism”.

Though defeated in parliament, this new leftist energy has persisted. The memetically intelligent and culturally attuned Northern Independence Party is showing how this kind of defiant cultural participation can actively produce new conversations and, one hopes, real change. It was this sort of role that Fisher saw in the likes of The Jam and, yes, Russell Brand. Though a controversial suggestion, then and now, even Brand acknowledged that things must be dire if it was up to someone like him to raise consciousness in the 21st century. Brand arguably rose to the top because there were few other representatives to rally around. (Now his influence seems to have diminished somewhat, but only because people have followed his lead and engaged with politics in a way that, at one time, only Brand dared to.)

Clearly, this wasn’t elitism. This was generating structures of feeling, and using popular individuals to awaken collective undercurrents — something that Noys’ “critical radicalism”, at that time, was quite allergic too. As Fisher writes in his 2014 essay “Going Overground”:

One of the problems with many of the horizontalist models of political action is that they assume that we already know what we think and feel, and we are simply prevented from expressing ourselves by oppressive power structures. Yet mass mediated art could name and focus feelings that were not only suppressed – by ‘internal’ as well as external censoring agencies – but which were inchoate, unformed, virtual. Mass mediation transformed, not merely ‘represented’ these affects; after they were named and brought into focus, the feelings ‘themselves’ were experienced differently.

In my jumble of thoughts provoked by his abstract, I suggested that Noys’ critique of Fisher was dependent on a misremembering of what form this “critical radicalism” took, which was either impotent horizontalism or neoliberal centrism. However, it doesn’t seem to me that Noys is so forgetful. Unfortunately, it seems worse than that. Noys seems to affirm the leftist melancholy of the late 2000s, as if we didn’t get to see the results of that moment’s great negativity. He recruits Mario Tronti to his cause, affirming Tronti’s argument “that working class passivity and lack of struggle could have effects on capitalism.” Drawing on Tronti’s analyis of the crash of 1929, Noys suggests that a

lack of struggles… robbed capitalists and capital of the ability and knowledge it gained from the struggle by workers. Without workers’ struggles no innovation and no development and no knowledge.

We could argue there is an air of “anti-praxis” here, taken from unconditional accelerationism, or even the horrorism of Nick Land’s “do nothing”. Either way, the same issue lingers over Noys’ talk. But the real implication is that this is nothing more than an echo of the dominant leftist position that emerged around the crash of 2008. No leaders, no programme — that is how we win.

But we didn’t win. Nothing happened. Austerity instead made everything worse. Noys’ position suddenly appears like more of a kakocracy than accelerationism ever was. It echoes the impotence that define an era, that Fisher and others put on blast, and which accelerationism was an ardent rejection of. Noys was always a critic of accelerationism, so perhaps this is unsurprising, but I’m sure many would not expect the rejection of accelerationism to be such a depressive rejection of praxis. Though Noys’ talk began by denouncing a Fisherian pessimism, he suddenly seems more pessimistic than Mark ever was.

This, to me, feels like an instance of throwing the baby out with the bathwater. In light of Noys’ full critique, I am willing to admit that Fisher’s theoretical allegiances may have been a bit confused. Nietzsche’s aristocratic radicalism is certainly less popular in the present, and Fisher may have been conflating his Nietzschean analysis with a sort of Marxist-Leninism, as Noys seems to suggest. (Although there is clearly more of an emphasis on the latter here, compared to some of Nietzsche’s more loyal twentieth-century adherents, who Fisher was explicitly not a fan of — Bataille and DH Lawrence come to mind, even though I’d argue they both lie on the pop-mod spectrum in that they encouraged the emergence of specifically psychosexual structures of feeling in their own times.) Regardless, the point of the previous post remains intact. Noys’ appeals to a “critical radicalism” are misplaced. What counted for critical radicalism at the time Fisher was writing was a leftist melancholy that refused to engage with the present, which Noys nonetheless seems to interpret as the only viable response to a present defined by “weakness and disorientation”. Surely this is more indicative of the self-fulfilling prophecies of “reflexive impotence” than Fisher’s “slow cancellations of the future”? As Fisher remarked of the reflexively impotent:

They know things are bad, but more than that, they know they can’t do anything about it. But that ‘knowledge’, that reflexivity, is not a passive observation of an already existing state of affairs. It is a self-fulfilling prophecy.

Denouncing left-Nietzscheanism might sound good now, in the aftermath of Losurdo’s newly translated critique, but what this amounts to, placed back into the historical context under consideration, is a defense of a period when the left was arguably least capable of engaging with the present as a site of struggle. Tronti’s argument that an end to class struggle may presage an end to capitalism, rather than vice versa, may have once seemed attractive in its contrarianism, but not now. His analysis of the post-crash world after 1929 hardly seems resonant with our post-crash world since 2008. That is, in part, because class struggle had already been eliminated — at least semantically. The beginning of the twentieth-century was defined not just by the ultimate ascendency of global capitalism, but also by the defaulting of an entire country to the middle class — that generic class position used to deny the very existence of class as a struggle. In the late 90s, the British centre-left declared that we are all middle class now, and suddenly everything was meant to be fine. But capitalism kept churning regardless.

Yes, capitalism may generate struggles that we allow to persist in our resistance against them, but I’d argue that is because our resistance has not been strong enough. Any argument that suggests the left should once again weaken its own position is an awful one, and one that is wholly out of touch with the actual struggles of the present.

The Slow Cancellation of…
Sorry, What Were We Talking About?

I was sorry to miss this recent talk from Benjamin Noys. I only heard about it after the fact. Here’s the abstract:

In the face of what Franco ‘Bifo’ Berardi and Mark Fisher have called ‘the slow cancellation of the future’ contemporary theory has often responded by stressing the utopian possibilities of ‘inventing the future’ or turning to a fundamental past ontological rift or wounding. The crisis of the future, I wish to suggest, is in fact a crisis of the imagination of the present. In contrast to the invention of the future, or the turn to the past, I argue we need to de-invent the future and return to the present as a fraught and fragmentary site of struggle.

You shouldn’t judge a talk by its abstract alone, obviously. They can be such hastily written things. But I do have a lot of questions…

I tweeted about this the other day and it seems that my suspicions were somewhat confirmed by others who attended. This makes me feel like it might be worth airing these questions in a more lucid form than a few bewildered tweets, not only because Noys’ approach seems bizarre to me, but because it seems indicative of what’s gone wrong with the accelerationist blogosphere over the last few years. It suggests that many have been struck by a certain amnesia.

I’m mostly curious to know how Noys’ argument actually differs from Fisher’s. After all, Fisher was better attuned to the time-signature of the present than anyone.

Though Noys apparently took aim at Fisher’s Nietzschean pessimism in this talk, Fisher’s critiques from Capitalist Realism onwards — and his notion of “reflexive impotence” in particular — were a diagnosis of a new strand of left melancholia, emerging from the Long Nineties and flaring up around the Occupy movement — a task explicitly grounded in the present. As Wendy Brown writes of this strange pathology:

“Left melancholia” is [Walter] Benjamin’s unambivalent epithet for the revolutionary hack who is, finally, not serious about political change, who is more attached to a particular political analysis or ideal — even to the failure of that ideal — than to seizing possibilities for radical change in the present. In the context of Benjamin’s enigmatic insistence on the political value of a dialectical historical grasp of the time of the Now, Left melancholia represents not only a refusal to come to terms with the particular character of the present, that is, a failure to understand history in terms other than “empty time” or “progress.” It signifies as well a certain narcissism with regard to one’s past political attachments and identity that exceeds any contemporary investment in political mobilization, alliance, or transformation.

Mark referenced this essay a few times, including in his final lectures. But the left’s reluctance or inability to deal with the present was something he critiqued constantly. (It was also his argument in “Exiting the Vampire Castle”, where he swaps the death rattle of New Labour for Twitter’s tendency to call visible socialists “sell-outs” in 2013.)

This makes Noys’ argument sound particularly weak, even self-defeating. To talk of left-Nietzscheanism ends up sounding more like an indirect flex that he’s read Losurdo and nothing more. I can’t think of any other reason why someone might think critiques of left-Nietzscheanism and the mid-2000s pessimism of Mark Fisher have any bearing whatsoever on our present moment.

What’s worse is the other side of Noys’ critique is similarly misrepresented here. Alex Williams and Nick Srnicek’s Inventing the Future wasn’t detached from the present either. It was a speculative politics, yes, but speculation begins in the present; it intervenes in the present. That was Williams’ original argument when he first made moves against the blogosphere’s hauntological trend, insisting that we sod all that “good postmodernism” rubbish and actually interrogate “in our current time… those regions which appear, from the in-situational point of view, to be marginal, and properly undecideable.”

What is that if not a demarcation of the present as a “fraught and fragmentary site of struggle”?

It’s as if the first blogosphere never happened; as if Mark Fisher, Alex Williams and Steven Shaviro never wrote all they did about the contingencies of now. To make matters worse, Noys was there for all this. It was Williams’ denouncement of hauntology, and his insistence on the present as a site of struggle, that Noys first (perjoratively) named “accelerationism”. But accelerationism, for the likes of Williams and Fisher, was always, fundamentally, concerned with “the new”, how it appears or fails to appear, how new forms of political subjectivity can be “invented” or “discovered” after the end of history; after capitalism’s claim to have won out overall. It is in this way that accelerationism begins from the present and moves outwards, as all speculative philosophies do. Indeed, Alfred North Whitehead, so central to the accelerationist writings of Steven Shaviro, argues that speculative philosophy is essentially a meeting point for temporalised logics: “Whenever we attempt to express the matter of immediate experience, we find that its understanding leads us beyond itself, to its contemporaries, to its past, to its future, and to the universals in terms of which its definitiveness is exhibited.”

Maybe Noys addressed all this in his talk… Maybe he’s just forgotten all of his previous entanglements… But if that is the case, then the present is being misused as a rug, under which we can conveniently forget the past once witnessed and the future once promised. Noys’ talk doesn’t sound like an argument for the “present” but a “presenteeism”. It is showing up and achieving nothing.

We might note that forgetting is also a central tool of capitalism realism. Fisher always suggested that “the slow cancellation of the future” took place in memory, first and foremost. The future is cancelled as old visions are reified as novelties of the past. Representations are decoupled from transhistorical gestures towards emancipation. Structures of feeling are diminished, abstracted, made distant. The present becomes a postmodern soup where only the past is eternally and destructively present.

There’s a reason why the final albums of arch-hauntologist The Caretaker attempted to sonically document an experience of dementia or, as on his earlier works, retrograde amnesia. Capitalism’s drive to make us forget is a demented infringement upon our cognitive potentials in the present.

Fisher’s Acid Communism, again, hoped to intervene in this demented space. As if channeling the psychedelic drawn-from-memory still lives of Ivan Seal, he found a productive tension in the cognitive dichotomy of remembering and hallucinating — two closely related processes that both take place in the present. This gives form to that long-considered tension between hauntology and accelerationism. The dialectic between them attempts to illuminate capitalist dreamwork and allow us to regain some agency in the here and now. This isn’t a new tension. It was central throughout the first blogosphere, dramatised in the imagined dialogues between Deleuze and Badiou.

With all of this in mind, it seems strange that Noys would offer up, as a critical intervention, a summary of his opponents’ positions from over decade ago. It makes it seem less like a timely critique than a symptom of what Fisher and others were describing way back when… For Noys to demonstrate this as part of a series of talks called “Theory in Crisis” only makes things stranger. It starts to feel more demonstrative than diagnostic… How can we take someone’s claim to the present seriously when they themselves seem so far removed from it?

But again, it’s just an abstract. I’ll happily eat my words if a recording appears, but I have a strong feeling I won’t have to…

Update: Noys talk is now online — a follow-up here.

The Inertial Endogamy of Covid Capitalism

I was talking to Sam the other day about hauntology and, in the midst of our conversation, I was reminded of a story I heard recently about black market sperm donors. This analogy requires a little introduction…

Sam and I had briefly discussed Nick Land’s essay “Kant, Capital, and the Prohibition of Incest”. In the essay, which remains one of his better ones, Land explores how patriarchy and capitalism are closely related. Darwin’s “primitive horde” and Marx’s “primitive accumulation” essentially refer to the same process at different scales. The relationship between a capitalist and their workers is the same as the relationship of a father and husband to his wife and daughters — a way of supressing “the nomadism of the anonymous female fluxes that patriarchy oppressively manipulates, violates, and psychiatrizes.” Because women, least of all, need a family to have children and ensure the continuation of the human race. They are entirely capable of wandering the world and finding mates all on their own. But men don’t like that. They want to keep and control “their” women for themselves. This control cannot be absolute, however. Incest does not made for a healthy bloodline…

Patriarchy, then, is a compromise, within which an important tension remains. The patriarch knows that exogamy is essential but he also wants his sperm to be doing all the exogamising. So he has to lock down a woman for breeding purposes and, if he can’t keep them entirely to himself, he has to at least maintain control over his daughters and their relations. Land argues that this is also how capitalism is set up.

“A capitalist trading empire is a developed form of exogamic patriarchy, and inherits its tensions”, he writes. Both are constituted by a “domination of the other”, but this domination is only ever a form of partial control. The relationship must be coercive rather than fully authoritarian. Why? Land argues that it is forbidden for domination to develop “into full absorption, because it is the residual alterity of the other that conditions the generation of surplus.” Consider, for example, how it is a patriarch’s control of their children that allows for this surplus to be retained, so that it does not become squandered excess. It is in this way that “great” families of old built dynasties — by marrying off their kids to the right people, accumulating power just as an investor accumulates capital.

We might argue that liberalism is essentially a balance of power in this regard — an attempt at an ethical capitalism. Land argues that the liberalisation of patriarchy bacisally allows women to have more rights so that men can have a little bit of incest. But this is ultimately unsustainable, because both patriarchs and capitalists are greedy. The tension always remains. The capitalist, like the patriarch, may accept that exogamy is essential to a healthy state economy, but a given state economy always wants everyone to buy their commodities over anybody else’s. It is for this reason that capitalism tends to slide into fascism — and why fascists are also often incels.

Capitalism is stuttering under coronavirus. In the UK, this exogamic tension is all the government has spoken about for a year. Closing our borders has restricted our capacity to trade, just as Brexit meant we had to renegotiate all of our trading partnerships. To cope with the transition, there have been tales of cronyism and economic incest filtering out of government at a steady pace, as lucrative contracts for PPE are given to ill-equipped friends of government ministers. All the while, culture stagnates. The Bank of England prints money for businesses as communal spaces are the first to close their doors for good. British capitalism is essentially alternating between shagging its siblings and wanking into a sock, and the government knows if it doesn’t get its rocks off properly soon, it’s gonna be left with one weird, malformed post-pandemic generation.

Maybe that’s enough of the sex metaphors… But isn’t it telling that, at the same time as capitalism stutters, we’ve newly engaged in radical conversations about the future of procreation for our species? Israeli scientists recently announced they’d developed artificial wombs for mice, whilst there have been a dozen articles written about how sex has essentially been illegal for people who don’t live in the same household this past year. The pandemic might have fundamentally changed how we think about intimacy.

In the midst of all this, something else caught my ear recently. My girlfriend was listening to a segment about online sperm donors on Woman’s Hour. Experts have apparently raised concerns that amateur donors, who are selling their sperm online outside of official channels, may cause problems for future generations if they aren’t properly regulated. Black market semen has always been a thing, of course, but apparently business is booming under lockdown. With fertility clinics closed or taking on vastly reduced numbers of patients, many couples having nothing better to do and so are looking to have lockdown babies however they can. As patriarchal capitalism spasms, women are doing it for themselves.

One of the (hopefully) obvious reasons why sperm donation needs to be regulated, however, is that, if a donor sires too many children in a single region, the chances of grown-up children meeting and mating with their biological relatives becomes more and more likely. Before you know it, you’ve got a load of accidental incest going on and people end up having weird children. Donors no doubt know this, of course. But I suppose there comes a point when the profit motive outweighs the risks later down the line…

Coronavirus continues to mutate our sense of ourselves. The dichotomy is clear — further loosen the shackles placed on female nomadism, finally affirming the cyberhysteria of automated wandering wombs, or get ready for incest as men continue to drive capitalism into the ground at the expense of all the rest of us. That’s the line in the sand between current definitions of accelerationism — the former is the only one that has ever been worth a damn.

“Countercultural Bohemia as Prefiguration”:
Time is Away on NTS Radio

Elaine Tierney and Jack Rollo, aka the amazing Time Is Away, have shared their commission for our January For k-punk event as the March installment of their monthly NTS show. Read the intro and listen below:

This programme was commissioned by the ICA as part of ‘For k-punk’, an online event to mark the publication of Postcapitalist Desire: The Final Lectures of Mark Fisher by Repeater Books. ‘For k-punk’ invited five artists and musicians to respond to the themes and provocations of Fisher’s final lectures. In ‘Countercultural Bohemia as Prefiguration’, the second lecture in the series, Fisher harnesses the psychedelic possibilities of consciousness-raising, as a process for feminists in particular, to propose ‘the abolition of the family’, a once-popular and recently resurgent feminist goal. Time is Away extends Fisher’s proposition by listening to the voices of people who explored alternative visions of how to live together.

We’re hoping to rebroadcast the whole suite of commissions again in a few months. Watch this space. For now, get lost in this really beautiful mix/collage/essay:

Kill the Bill:
More on the Thoughts of the Police

No surprises that things have gotten worse with the recent UK protests. After protestors trashed property and set fire to a police van on Sunday night, the current response from the media and politicians has been particularly telling. The violence was disproportionate, counter-productive, inflammatory, unnecessary, etc. There has been no mention of initial police escalation as the source of the unrest in the press.

None of these denouncements (or convenient omissions) are new, of course. The establishment response to protests and riots has been the same for decades. As soon as property gets damaged, the same patronising tone rings out from every soap box. This was a step too far. Any protest that is not a peaceful protest must be condemned. But we have already seen, time and again, how the police brutalise peaceful protestors. Bristol, to its undying credit, doesn’t take state bullshit lying down.

Riots are an inevitability at this point. In the 2000s and 2010s, after going on protests against the Iraq War, the bankers’ bail-out, austerity, the trebling of student tuition fees, NHS cuts, et al., there was little change. I distinctly remember my own early-2010s dejection, having engaged with politics in every way I had been advised to — at the ballot box, on peaceful marches — only to see injustice and inequality escalate unimpeded. Still, people kept protesting, until the police began brutalising young people for no reason whatsoever. (I’m still haunted by the video from that Warwick student sit-in from 2014.)

This kind of violence has become the norm. With protests reduced to a kind of palliative for the nation to let off steam, the state has now given up on its own weak sense of resolve and is now attempting to undermine your average citizen’s right to express dissent. But this has already been curtailed for some time, if not through bills than through a tactical war of attrition.

Anyone who has been to any protest ever will have seen countless incidents where police exercise violence, whether briefly or in a sustained manner. They will assault a member of the public with impunity as friends of the aggrieved corral around to try and defuse tensions and make sure no one does anything stupid. This video from just last week shows a situation I’ve seen play out countless times online and in person.

Why is anyone surprised that certain communities no longer want to put up with this sense of entitlement to a stagnant and rotten status quo? Already last year Bristol protested the pointlessness of the proper channels in tearing down a statue that had been disliked for decades. This latest protest is a blatant extension of those frustrations.

The state already gets away with so much, and with little to no consequences whatsoever. It isn’t just that this new bill will impinge on our right to protest — it will worsen an already deplorable state of affairs, extending police impunity and shoring up the state’s callous indifference to its own ineptitude.

“Giving Up the Ghost”:
Postcapitalist Desire in the LA Review of Books

Few are mourned by the post-millennial left like Mark Fisher. If you know anything about us, then it makes perfect sense. We are a weird bunch, displaced on every level, living in a world terrifyingly different from the one we were prepared for. Between climate change and a rising far-right, our future diminishes daily. Fisher’s work speaks to us through this lens, this alien language of existential displacement.

A nice write-up on Mark Fisher, his legacy, and the recent Postcapitalist Desire collection I edited in the Los Angeles Review of Books, written by Alexander Billet. Check it out here.