A really fucking excellent comment from Ed, responding to my earlier post on Fisher and Bataille, that fills in a bunch of gaps in my understanding of the context of the original anti-Bataille lecture Mark is commenting on. Ed draws the same conclusions but from a much broader historical perspective than I’m in possession of.
As ever, I’d hate for this to languish “below the line” — because who reads comments here apart from me? — so here it is in full for your pleasure:
I’ve thought about that bit about Ginzburg quite a bit in the past, and spent some time trying to track down his writings on Bataille. Almost came to the point of thinking that it was a sort of theory-fictional critique of Bataille using the actual figure of Ginzburg as an avatar (because Ginzburg’s scholarship elsewhere is top-notch, and his work on the witch’s sabbath is an important source in early CCRU materials like the ‘swollen footnotes’ to “Flatlines”). But eventually I found a reference to Ginzburg’s critique in Dennis Hollier’s “Absent Without Leave: French Literature Under the Threat of War” and in an essay by Susan Suleiman. The latter is particularly interesting because she draws a comparison between Ginzburg and Zeev Sternhell, who is pretty much the person who tried to cement a historical connection between the ‘counter-enlightenment’ and fascism. Sternhell and other scholars close to this camp use this dynamic to diagnose a host of individuals, even those opposed to fascism like Bataille, as being covertly fascist (Sorel too was made persona non grata from this camp). But this critique is rooted in a particular iteration of liberalism, one that holds the Enlightenment — particularly the line running through Kant and his French followers — as the source of liberalism, democracy, etc.
Sternhell’s critique has no time for the way that Adorno and Horkheimer problematize the Enlightenment, and basically dismisses them with a hand-wave saying that they are effectively characterizing the Kantian-French-liberal tradition. But Sternhell is missing the meat of the argument, that this trajectory does lead to liberal democracy, but also leads to this other thing, and that these currents are not counterposed but locked together into a continuum (which can easily be reconciled via a materialist analysis). And instead of doubling back to ‘make good’ on the Enlightenment’s promises, Adorno himself certainly seemed to want to find something beyond it (leading blackpilled Horkheimer to accuse him of having a ‘penchant for theology’)… hence negative dialectics, with its emphasis on differentiation, nonidentity, etc. It seems to me that Bataille was working towards a similar aim, also drawing up radical differentiation, nonidentity… like in his letters to Kojève, writing of something unable to be assimilated into synthesis — shades of Marcuse: “the outside… [is] the qualitative difference which overcomes the existing antitheses inside the antagonistic partial whole — and remains ‘leftover’.” And from there, to Lacan and his real, the incompleteness of the symbolic, the gap, denial of permanent, stable resolution — and thus to Fisher himself, with his great debt to Lacan! There’s a debate, earlier on in K-punk, where somebody raises Lacan’s relationship to Bataille in response to the condemnation of the latter, that Fisher dismisses… but like you point out above and in Egress, the limit experience is something pursued by both, and is refracted through influences that sync together in a common intellectual history (I would go as far as to draw comparisons between Fisher’s attempts circa 2004-05 to build a Lacanian-Spinozist theology based on the seething cosmic void — which I suspect Nick cribbed a bit from for his Gnon-theology — and Bataille’s own fascination with the negative tradition within Catholic theology).
I guess what I’m trying to say really just echoes what you are saying, lol: that Fisher’s own work can just as easily be read as being ‘counter-enlightenment’ as Bataille, even if he was more committed to a (very atyptical) rationalism far more that our weird Frenchmen. After all, how does he present the remaking of the world? Not simply in the rational remaking of the world, but in libidinal engineering, limit-experiences, strange references to shamanism and sorcery, gaps, ritual and myth… in other words, all the things one would find in the workings of the College de Sociologie!