Come closer and see
See into the dark
Just follow your eyes
Into the trees
Suddenly I stop
But I know it’s too late
I used to work with a burly Welshman called Marc.
Marc liked music and we would talk a lot about our favourite records.
Most of the time we worked together it was to install exhibitions and so this was often the perfect time to listen to albums and talk about them. Other times, we’d just listen to the radio.
This morning, whilst on the bus into work, The Cure’s A Forest came on and I was reminded of the last time I had heard that song. It had come on the radio whilst I working with Marc around three years ago.
Marc began to laugh to himself when he heard it and told me a story about seeing The Cure at Glastonbury in 1986. I’ve never been to Glastonbury but one part of its reputation that precedes it is the size of the festival site itself. Marc said this can be irritating but it has its uses.
He told me that, whilst standing around all day, eating and drinking and listening to music, he had felt the need to relieve himself. He walked around for a while but felt that this was an “evacuation” that warranted more privacy, shelter and a wider berth than your usual duck behind a tree…
Marc decided to walk for some distance, away from the festival site, away from camp sites, away from any potential passersby.
He found himself walking through a forest, through patches of bluebells and wild flowers, and soon he was in a suitable clearing, alone.
Marc dropped his trousers to his ankles, placed a selection of large leaves in a pile in front of him and attempted to squat next to a tree.
Before he had had a chance to exert any pressure on himself, he heard a low rumbling sound. The clearing around him gradually came alive with activity, like a storm had brewed out of nowhere, and then continued to excite itself beyond the possible influence of any natural source.
Before Marc’s very eyes, too shocked and too unstable to move, buffeted by the violent currents of air now billowing around him, his pre-selected leaves lost to the wind, a helicopter descended into the clearing.
As it touched down, a succession of bodies, their heads bowed towards the ground out of reach of the rotor blades, exited the helicopter and made their way to the edge of the clearing, towards the festival site, some carrying bits of equipment and lighter instruments.
The final person to disembark the helicopter, their hair a black bramble mess, caught Marc’s eye as they looked up towards their destination and, were it not for the force of air at their back, may have otherwise stopped in horror at the sight of Marc’s Somerset greeting.
It was Robert Smith.